Archive for May, 2010

Sauter, 01

Saturday, May 29th, 2010

Molly was sitting next to her boyfriend. I was sitting next to N, a friend of ours. We were in a booth at the Cage. A chain of red plastic baskets filled with bite sized batter dipped and fried foods cut across the table. A watery white film formed a high-tide line in the tall, sturdy glasses. We did what twenty-somethings do on an idle weekday night after ten: we talked about things that are very important to us with tin penny words and things that held no value with ten thousand dollar words.

We talked about Jenga. Our friends. The amusing fact that Molly and I have the same name, that N and a friend of his share their own unlikely name.

I don’t even remember how it started, but it doesn’t matter. It was a state of nature. Things tend towards chaos and Molly tends towards talking about IP.

For me, it was like taking a shower in the evening. When I moved out of what was happening around me, taking a moment to remove my consciousness from the conversation, it was still light out. When I came back, all traces of the sun were gone and all I could hear was the familiar diatribe on intellectual property, tying in things like creativity and the law, usage and proliferation of FLOSS, waiting to take my hand and pull me into its seductive arms like an ex-boyfriend.

It was a familiar place. It was one I didn’t belong in, right then.

“Let’s talk about puppies,” I said to Molly’s boyfriend.

Through the part of my awareness biologically designed to keep me from trouble, I could still hear Molly and N talking. My developed instincts told me to jump into the conversation. I ignored them. This was Molly’s lecture, not mine.

It really doesn’t take anything to get Molly talking about the discussions and debates surrounding Intellectual Property (IP) laws, creativity and the internet, or censorship. You can talk about a YouTube video, you could mention some artist or musician. You could ask her boyfriend if his computer is working yet (“No,” he will tell you sheepishly), or ask her how she’s doing. Any topic, or even none at all, can bring out the soapbox that she plans to turn into her house. When a silence is too long–or she loses interest in a conversation–she’ll take out her phone and begin checking her feeds: twitter, facebook, google reader. She’ll read about something and share it, using that as a location to place her soapbox and dive off it into a pool filled with anger and intellectualism.

Much like an actual intellectual–rather than one in training–her points are familiar. You could consider her conversations lectures and give each lecture a name. She can give a talk on Practicality v. Idealism in Open Source. She could give an overview, chronologically or ideologically, of the history of IP law. She can talk about originality on the internet and in contemporary art. Referential culture. Remix culture. Why ACTA is stupid. The words she uses generally change, but there is a consistency to her structure–certain phrases are reoccurring.

At the Cage, most of these phrases are laden with profanity.

This is a testament to the house she is building herself–the readiness, not the profanity. She is building her house out of the things she thinks about every day. These are the thoughts that pick at her mind in the evenings, that cause her to grumble as she walks, and flood every feed entering her consciousness. For Molly, these debates aren’t a job or a thing she studies in school: they’re her life.

When I first met Molly, we started talking about this mess in such a casual way I don’t remember it at all. I remember sitting in the cheap Mexican restaurant–the one that offers a student discount and three dollar burritos–listening to her for the first time. I remember hearing her life story and how she landed at Pitt in the HPS program. She told me she was interested in New Media, but that’s a far cry from the creeping, growing blob of FLOSX, the internet, creativity, censorship, IP, free culture, art, originality, technology, and law that has been slowly engulfing both of us. Somehow, we got started talking about it, and we never stopped. Since her first awkward explanations, overviews of the character Alice and the context it lives in, grumbling complaints about ISPs and Google in China, she has given a structure and coherency to her thoughts. When we first began talking about privacy on the internet–listening to another student talk about his summer research project–we passed words back and forth to form the seeds of ideas. Now, she stands on her own with the ideas she’s nurtured and raised, shaping them like a bonsai tree into something dense and purposeful.

Listening to her talk with N made zone out. I stopped paying attention, already aware of every idea she was going to share. But, I noticed that she was ready with these ideas and comfortable with the parts that make them up. She’s taking the rough boards of her soapbox, sanding them and priming them. One day soon, she’ll be turning them into a house.

Reasons

Monday, May 17th, 2010

When I said I was going to not be writing essays, I think I said this more as a reassurance to myself that I was going to be moving away from essays and going back to prose. I want to “write stuff,” not “write essays.” However, here I am, writing another essay.

One of the most common conversations I’ve been having with people–beyond “what are you doing these days?”–is about why people use FLOSS. Usually the conversation is based around software, since that seems to be one of the most common uses of free/libre/open source. If you google “reasons to use open source,” you’ll get about 15-thousand hits. Some of these seem pretty worthwhile.

FLOSS users, in my experiences, fall into several categories.

The Theresa
Usually the Theresa is a scientist. My Theresa is a statistician, but the same principle applies. People like Theresa use FLOSS because it’s necessary for their profession. People who need computers to process data find it extremely important to be able to see not just the end result, but also every step along the way. They need to be able to manipulate, change, and understand these steps. Theresa needs to see the equations that are used and find where things are rounded. There’s a story I was told about an engineer who noticed he got the correct result on one computer and an incorrect result on another because the second computer–using different software–dropped numbers. It was a big problem.

The Steven
Steven thinks FLOSS is cool. He’s nerdy like that. We like him for it. Steven actually has a wonderful somewhat philosophical explanation about why FLOSS is cool. I’ll dig that up soon.

Steven’s Mom
Steven’s mom uses FLOSS because he installed it on her computer. She plays solitaire or something, checks her email, and does whatever it is moms do on computers. Mine chats with me and changers her user icon to be cute pictures of animals.

The X
I say X here because I don’t actually know anyone who identifies with this category. X is a placeholding variable until I get a good name. Some people use FLOSS not just because they think it’s cool, but because they like the nerd prestige that goes along with it. I’m told these people exist.

The MJ
That’s me! I use FLOSS because I want to be a kickass hacker chick.(1) That’s not true at all–well, okay, it’s a little true. I use FLOSS because it’s the right thing to do. I spend a lot of time talking about how important it is for people to open their source up. I talk about transparency and copyrights and owning what you use. I’m awesome at parties. It’d be pretty hypocritical of me to go off on this at inopportune times (feel free to ask the last boy I met at a party about how I responded when he said he uses a mac) and keep running proprietary software. I also love that I can really try out new software without worrying about limited features or lame free trials. When I needed a video editor, I opened up the internet–also easily searchable through Synaptic Package Manager–and tooled around websites for a while. I tried out five video editors before settling on kdenlive. That brings me to the final type of FLOSS user.

The Y
I also don’t know anyone who fits into this category. If you do, please say so and then I can drop a name in here. Some people use FLOSS because the F doesn’t just stand for free as in freedom, it can also stand for free as in beer. It’s pretty nice when you need something new and you can just get it off the internet for free. It’s convenient to have free software not cost anything. I mean, how many people would use Microsoft Office if they had to buy it after they got their new computer when there was a free alternative?

So, those are the six reasons people I know use FLOSS.

(1) Hollywood tells me it’s now okay to say “kickass.”

Gardella, 04

Friday, May 14th, 2010

There are people in my life I have heard so much about that by the time I meet them, they feel familiar. I have trouble adjusting to a reality where this person is not already my friend. Sometimes there’s trouble adjusting to how people are in real life, how they move, their physical quirks.

That’s what it was like when I met Locutus.

Locutus, of course, being Gardella’s server.

Locutus, it turns out, is related to the Latin root “loquor.” And by “related” I mean “is a form of the word”–the past tense to be exact. Locutus, in case you don’t know, is the name Captain J.L. Picard gets on Star Trek: The Next Generation during his time as a member of the Borg Collective. I assume that Locutus of Borg was named because of his connection to the word “interlocutor,” which is what he was to be–an interlocutor between the Borg and Federation. I could say Gardella’s server was named because it too served as an interlocutor, between him and the world, or him and him (since he regularly connects to it when away from home), or because it “speaks,” but those would be lies. The server is named Locutus because it, much like it’s Borg counterpart, has a blinking green light.

Locutus, among other things, allows Gardella to watch television. The cable runs through the server, in order to be viewable on the one functional screen in the apartment–the monitor. Because the video is all run through and processed by the computer, he set it up TiVo style to capture, or record, shows. When he heard that the Royal Shakespeare Company was filming their staged version of Hamlet, he set out to capture it. The RSC version stars David Tennant and Patrick Stewart.

Basically it’s like someone decided nerds needed to see Hamlet.

David Tennant played the eponymous Doctor in Doctor Who for three seasons. Patrick Stewart played Captain Jean-Luc Picard of the USS Enterprise. Nerd heroes.

Of course the production was artfully done and I have plenty to say on the matter, but that will be up over on my personal blog if you want to read a review. Here, I’m going to talk about what it was like to watch.

You see, Locutus runs something called GRML. GMRL touts itself as a “Linux Live system for sysadmins / texttool-users / geeks.”(1) This means a) it does strange things, b) its interface is almost old school, and c) it doesn’t always work. Every time something new is done using the server, it’s an adventure. This isn’t to say Gardella had never watched captured video on it before–I honestly don’t know–but this was the first time it processed something in HD.

And boy did Locutus not like it.

For some people, running open source systems becomes an all-consuming hobby. It’s not like he goes out on the weekends and does an activity, but rather he spends much of his spare time thinking about it. He stays away sleep trying to tweak things and make new things work. It’s not so much a hobby, but a lifestyle–much like how the Steelers become in Pittsburgh, how a lawn or garden can be. It’s that place after running on weekends transfers into running every day of the week. It’s that place where someone becomes a marathon runner, picking meals carefully, drinking certain amounts of water, managing certain amounts of sleep, and maximizing who they are. (Gardella says “I don’t feel as hardcore as a marathoner…I don’t think of it as hard work.” -Ed.)

Rather than do something sensible, like try a different application or transfer the file to my trusty laptop, he poked, prodded, twittered, coded, and examined parts of how his computer worked to try and make it function–to try and make it so we could watch the familiar tragedy of Hamlet play out before us with two of our favorite British men.

(“I want one,” I would whine piteously during quiet moments when David Tennant would be on screen. “I want one,” Gardella would counter when Patrick Stewart had center stage.)

And this seemed natural.

Of course we needed to do this in order to watch Hamlet. Of course it didn’t work on the first try. I think neither of us expected it to–or even if we did, we weren’t surprised when it didn’t work flawlessly and smoothly.

When someone becomes a hacker, a hacker of anything, they know and accept that things might not work the first time or at all. They accept that they’re going to need to tweak and pull and reshape and retune things constantly–whenever a new variable arrives or an old one changes. This understanding moves from acceptance to joy. Hackers can revel in things not working.

I like to think Harry Potter has moved enough into the social conscious that I can say this. Remember when Harry is getting his first wand and Ollivander expresses his joy and bemusement at how tricky a customer Mr. Potter is being? When I read this, I understood the feeling. Sometimes it’s great when things are hard, when things don’t work, when you need to strike and move to make it work. Locutus brings the feeling out for Gardella. This is what gives him that softly maniacal joy of doing something you’ve chosen to love to do.

He talked apologetically, as is his wont, while he worked. I did my best to assure him, as is my wont, it was fine. When it worked, he didn’t just have the satisfaction of getting to watch his Captain: he had the satisfaction of knowing that he made it happen.

(1) GRML.org

Transparency

Thursday, May 6th, 2010

Gardella’s phone rang. It was his dad. Peter and Gardella have an interesting relationship–a post-hippie and his anarchist son. Gardella told us about how his father quit smoking when his mom got pregnant. She had told him “not in the house,” with her pregnancy coming along. He gave up all together. That’s sort of the way Peter is, never doing something part way. He indulges completely or not at all. He is also complete with his anger.

Peter’s voice came out of the phone and across the room. I could hear him from the couch. The words were meaningless, just pouring as sounds rather than anything specific. Gardella paced. He changed. His shoulder tense and his arms straighten when he is emotionally charged. He becomes angular in his motions and stance.

I could tell he was upset.

Peter talked in long streams of words. Gardella moved into the spaces between words to insert his own ideas. They agreed. They shared an anger between them. I didn’t know what was going on. Gardella took an opportunity to disentangle himself from the conversation.

“The students are protesting,” he said.

Peter is a professor at a New England liberal arts college. He’s just as political as his son. He carried this news to Gardella, who carried the news to me. No one was happy.

Recently at Pitt, the food service employees were on strike. Gardella shook their hands when we saw them standing in the rain. He walked away with this curling smile on his mouth. His smile of childish glee. Political activism makes him happy in the same way a roller coaster makes me happy. In the same way kittens can make people happy. There was none of this happiness on his face. He was annoyed.

The story came out. The students were protesting because they didn’t like the new president of the college. They wanted the old one back because “he would party with them.”

“They don’t understand,” he said.

“It’s an issue of transparency,” I said to him.

“It’s an issue of transparency,” he repeated.

Gardella told me of the previous president’s sins. He related them with a tone on the border of factual and anarchistic distaste for “the man.” The former president’s mistakes were not the mistakes of someone making a bad decision or three–they were the mistakes of someone willfully damaging something for short term success. They were the mistakes of someone thinking in a short term way. Someone not being held accountable. Of someone working towards a personal gain from a situation, rather than a solid situation.

The students at Peter’s college did not know of these things. They had a narrow view of the truth. They were unable to make a consented, informed decision on their feelings of the situation. To them, a man who liked them was thrown out. These feelings did not reflect a reality that existed behind closed doors and in ivory towers–merely what was shown to them.

This is a problem.

One of the major tenets of FLOS projects is transparency. (It’s in the spirit of transparency that I put my notes and thoughts as I write up here on this blog.) This transparency allows people to see what’s happening: it keeps the people running things honest and allows others to make decisions. Transparency, even when it comes to the actions of the president of a college, is important. In order for people–users, students, and those to whom things are done–to understand the situations around them, they need to have the opportunity. They need to be given the raw tools, the information out of which they can create understanding.

Gardella, 03

Wednesday, May 5th, 2010

Gardella took up the small table by the kitchen. At the head of it sat a friend of his–a person also in the transition period between the adolescence of the twenties and actual adulthood. Their books and laptops used all the space that wasn’t occupied by a pizza box. The box hung over the edge of the table, useless. Their materials filled up spaces and they talked in a code.

I’ve got Texas down…It’s like Burroughs, with all the sex and drugs…It can be treated as a matter of censorship, which makes it easier, believe it or not.

It was finals week for the law school

“What are you going to do about the exam?” The other guy asked Gardella.

“I talked to B. I said ‘I run Linux, you know what that means.’”

“Are you going to hand write it?” There was horror in his voice. Even just imagining someone taking a four hour exam with nothing but a pen and his wits seemed unthinkable. Foreign.

“No, he’s lending me a laptop for it.”

At Pitt Law, some exams are taken on computers. High achieving law students write even more than they previously could using a special program that takes over your system, blocking access to anything other than the test. Pitt uses program called SecureExam.(1) SecureExam is built for Macs and Windows machines.(2) Gardella runs a version of Linux called CrunchBang on his laptop. SecureExam is not built for CrunchBang–or any other Linux distribution. Gardella could just install Windows onto his laptop, a sleek, black HP Mini that comes standard with Windows XP or Windows 7. But, exam season after exam season, he doesn’t. He keeps running Linux. He keeps prying and pleading with his computer to work. He keeps trying to make the software he needs to use for school compatible with his laptop rather than making his laptop compatible with the software. He does something I haven’t seen a lot of: he sacrifices ease and comfort. He does this so he can continue to keep his computer, a tool that has been grafted to become a part of Gardella, working not just a way he likes, but a way he thinks is correct.

1. http://maclawstudents.com/blog/law-school-exam-software/

2. http://www.softwaresecure.com/faq.htm#1_student